A fully-functioning oldschool stage-lamp built in the late 20s and meant for lighting theatre and dance productions. Constructed of wrought-iron and steel with an adjustable height. Heavy, but can be moved by rolling on the round base.

Still has the sliders in front of the bulb so that you can install gels in order to alter the color of the light cast. If you can’t find a sliding insert, you could always just attach a gel to the frame with clothespins, something we did frequently in film school.


I purchased 3 of these lights about 15 years ago. They were neither functioning or adjustable. The other two, which weren't as nice, were resold about a year later.

I had a licensed electrician disassemble this one and rewire it and then I had a welder take a blowtorch to the stem and bolts in order for them to expand slightly and break the crud that had built up over the previous 70+ years--that way the screw could be easily turned by hand to adjust the height. Works great.

I also hunted high and low to find an authentic incandescent light bulb as this was well before Ikea and other suppliers were building LED lights with “old-timey” looks to them. I found some deadstock at a lamp supplier and purchased a new bulb for $90. I’d estimate that over the years the bulb has been on for only a couple hours, total, as, though the light works perfectly, to me it was always more of a showpiece.

Should the bulb ever burn out you of course could replace it with the LED-type and people would only know with close inspection.

When the electrician rewired it, I had him do the following:

  • Leave on, but fully disconnect, the old switchbox for an authentic look (see photo)

  • Use 20 feet of industrial-sheathed cable so it’s always in range of an outlet

  • Install an industrial switch with safety cover and dimmer (see photo)


When I purcashed it, I researched the name built into the base (“Perkins Electric ~ Toronto ~ Montreal”) and found records from the late 1920s, though I can no longer find those records, as a currently-operating place with the same name in Florida dominates the searches.

But, there is another, hand-written identifier on the light, which is much more interesting. It's written both on the base and the side of the lamp-head: "Studio Morenoff".

Maurice Lacasse Morenoff, dancer, teacher, choreographer (b in Montréal 2 Feb 1906; d there 23 Jan 1993). From the age of six, Maurice took lessons at the social DANCE studio, which his father, Adélard Lacasse, had opened in the city's east end in 1895. More here.



The only caveat to this unique piece is that these legit old-timey bulbs, especially when connected to a dimmer, let out a slight "buzz" when on. The dimmer the light, the softer the buzz. The range offered by the lamp can be as low as a "campfire glow" mood to a stunning, "light up the block" burn. On a setting comfortable for indoors, I always found the music and din of a party easily drowned the slight buzz of electrics.

A fascinating, functioning, one-of-a-kind conversation-piece for any modern home or loft.


Available. Text or telephone 416 55 66 278 to inquire.

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