Do you have quality vinyl you'd like to sell? I am happy to make you an offer on the titles that interest me. Looking to sell everything at once? I may be able to help you with that, too.


My name is Lincoln Stewart. I’m the former manager of Vortex Records and the former owner of Good Music, two much-loved and well-respected Toronto record  stores. Both establishments had sterling reputations for fairness and quality. Vortex was the most highly-thought-of used record store in Toronto for almost 40 years, with The Toronto Star calling us "an oasis for music lovers," and more than a dozen "Best Record Store" wins and nominations in the city's newspapers' annual "People's Choice Awards" (Now Magazine, Eye Magazine, The Grid, etc.)

I now buy and sell top-shelf used records (and other things) out of my Dundas West loft. (Don't let the lack of a storefront scare you -- it's by choice, having sold the entire inventory of Good Music to a competitor and entering semi-retirement in 2016 at age 48.)

My motto is Quality records bought and sold. Fair prices in and out. That means I'm not trying to screw you. I pay half of what I intend to sell a record for. Period. If I'm gonna sell it for $20, I'll pay you $10. If I think I can sell your record for $50, that's $25 in your wallet. It's that simple. Unlike some of my competitors, I do not advertise that I "pay up to 60%" and then pay you good money for two records and pennies for everything else. If I want the record -- and admittedly, I'm very picky -- I'll pay you 50%. Doesn't matter if it's a $75 record or a $750 record. No exceptions.  

Importantly, I don't expect you to be the expert. Maybe you don't know you've got an $80 record. I'll tell you -- when I offer you $40. I have bought and sold vinyl in Toronto since 2005. It's what I do. Over the years, the stores I've run have paid out over a million dollars for people's used music and movies. I've bought from those who've inherited records they know absolutely nothing about and I've bought from the most informed record collectors in the city -- and every type of seller in between. Everyone gets treated the same way and I have the testimonials to back that up. 

Most important to me is my reputation: the amount I offer a for a record is based solely on that record's resale value to me, not on how much profit I can make on the title. This policy is the direct opposite of many of my competitors who want to pay as little as possible and sell for as much as possible. 


I am interested in most genres, but have a reputation for late 40s to present day jazz, blues, soul, rock, and indie. The rarer the record is, the more likely I'm interested in it. Labels that are of particular interest are Blue Note, Impulse, Atlantic, Contemporary, Folkways, Verve, Okeh, Prestige, and Mosaic.

Non-domestic pressings (imports) are also of interest as are smaller / indie labels (SST, Cherry Red, Rough Trade, Creation, Factory, etc.) or micro labels (Mississippi, Type, etc.).

Unsure what any of that means? Contact me to find out if I'm keen on your records.


Easy listening, pop vocal, swing / big band, and non-20th Century Classical (Bach, Beethoven, etc.) are all genres I avoid. These are all very hard sells and therefore not of interest. 

I also do not buy 78RPM records and am extra picky about Singles and 45s, with deep soul 45s being the exception.


Please keep in mind the first part of my slogan: "Quality records bought...".

Because I guarantee everything that I sell, I am not interested in unplayable records. I do not sell -- and therefore do not buy -- records with audible scratches on them. If you can feel a scratch with your finger, the turntable will hear that scratch and therefore the record is not of interest to me. 

I also do not buy records that are missing the outer sleeve (the cover art) or records with cover art that is severely water damaged, unless the pressing is particularly rare and the record in great shape.

True, I am probably the pickiest buyer in the city. But this is why I pay so well -- I only purchase quality product and do not clutter my inventory with dollar records. 


For all the years I owned or ran record stores, I was the only store in the city with “fair” offered as an explanation of what I paid. It was on my signage and business cards. I was also the only store to state clearly and upfront my buying percentage: fifty percent. (Of course, a number of my competitors have now called themselves "fair" in their marketing; they weren't, previously.)

I have a hard-earned reputation for fairness, honesty, and transparency, though admittedly I can be a little blunt. 

Though 75% of the people who sell records to me are repeat sellers--they're my most vocal supporters (and some of them have been selling to me for more than a decade)--one of the most satisfying parts of my job is paying big money to people who don't know the value of a rare vinyl gem tucked next to their beat up copy of Led Zeppelin II.


Usually it's best if you bring the records to me. I'm in the Dundas and Sorauren neighborhood of Toronto. Contact me to book an appointment.

When records are brought to me, you're welcome to hang out in my loft while I go through them. Or, you can explore the Roncesvalles neighborhood, grab a coffee or a bite, and I can call you when I'm finished and you can return at your leisure. Keep in mind that if you prefer to stay, I do have a dog -- mentioned for the sake of those phobic or allergic. It's a loft (one giant room) so I can't really separate her for the duration.


If you have too many records to transport or are unable to bring them for other reasons, please get in touch and I'll consider a housecall.

When I do housecalls, I need the records to be in a well-lighted room. I'll go through them and make you an offer on the ones that appeal. Depending on the quantity of records, it could take under 30 minutes or several hours. You're welcome to observe the process, but it's quickest when I'm uninterrupted. 


To determine if I'm interested in your records, it is best if you send me some basic information. Most importantly, which records do you have to sell and what condition are they in? Please be specific -- vague terms like "All kinds of music" or "Everything" are not helpful.

For instance, "I have 3 crates of records, mostly fifties and sixties blues and jazz (Miles Davis, John Coltrane, Charles Mingus, etc). I'm near High Park." is helpful, as is, "3 feet of rock records from the seventies. Led Zeppelin, Black Sabbath, Pink Floyd, Beatles, and other popular bands of the era. I'm near Yonge and Eglinton." 

But... "A pile of vinyl records from when I was in high school! I'm not sure what they are as I haven't looked at them in years. Please come!" is not so helpful.

If the records aren't yours (perhaps you inherited them or moved into a space filled with vinyl from a former occupant), and you know nothing about them, you can call me and I can ask you questions about them that you'll easily be able to answer, assuming you're in front of the records.

Some people have gone to the trouble of making detailed spreadsheets with titles, catalog numbers, etc. Though this is nice, 90% of the time it is a wasted effort as it takes many hours to do and it isn't necessary for me to know that much information about every record before determining if they're of interest. If you haven't done this yet, I would advise you to spend your time otherwise.

Please list a dozen or so artists from the various genres. A few photos of the covers and records themselves, attached to your email, are helpful if you're unsure about condition.

You also need to tell me approximately where you're located. City and nearest intersection is enough for the initial email.

More than likely I'll get back to you with a few questions and then perhaps we'll talk briefly on the phone.

If you prefer to call rather than email, my number is 416  55 66  278.  Please try to have access to your records when you call as I'll certainly have some questions about them.



Actually, I don't say that. People who repeatedly sell records in Toronto say that about me because they have experience repeatedly selling records in Toronto. I do say that I pay half my sale price for every record I buy. More importantly, I don't just say I pay 50% -- many of my competitors now say it -- but I actually do it.

Here's a fact: when the staff (current and former) of many of Toronto's best-known record stores have records to sell, they call me rather than selling to their own employers. Why? Because they know their employer's claims are nonsense. When my employees had records to sell, they sold to me, not to my competition. They worked for me every day and knew that I paid what I said I did because their jobs consisted of paying 50% to every seller who came in the door.


Your friend got ripped off.

No doubt the buyer flipped through the records and made an offer based on the covers. Only an amateur or a crook buys records based on covers, and my money's on the latter.

Look at these two covers:

Sure, one is a little faded, but they're the same record, right? Yup.

But they're not the same pressing. The pressing is what determines a record's value. Anyone who makes an offer on a record, let alone a collection, without examining what's inside the cover, is terrible at their job. Or -- and this is more likely -- they've been doing this for decades and they're deliberately simplifying the buying process to benefit themselves. Would you buy a car without lifting the hood or opening the doors? Record resellers deal in pressings, not records, and you can't be certain of the pressing from the cover. Hell, sometimes it's difficult to determine the pressing based on the label.

Lets open these two Coltrane sleeves and see what's inside:

(Disregard that one label appears to be a different shade of blue -- that's a result of two different photographers. In real life, they're identical in shade.)

A slight glance at the two labels reveals only subtle differences. They're both on Blue Note. They're both labeled as mono, "microgroove" pressings (though only one truly is). They both identify Blue Note as being located at "47 West 63rd Street NYC" (the label's stated address from 1957 to 1962). 

But today, you could walk into any decent record store and purchase one of these pressing for under $20, brand new. The other, in Very Good Plus condition, sold for more than $1000 in late 2017.

With that big of a price variation between these two seemingly identical records (manufactured sixty years apart), how can a buyer assess value by flipping through the covers? They can't. But if that's what they've been trained to do and have been doing for decades, do you think they're going to value that record at $5 or $500 when they're spending only 5 minutes tallying what to pay you for your record collection? 

It would take me a few minutes to determine the provenance of this one record alone. An entire collection? Trust me, your friend got taken for a ride.

Here's another example from a housecall I did in August, 2018. The seller had a copy of this record:


At the time of the housecall, this original pressing was worth about $100. However, opening it up, I found this label:


As you can see, it says "Promotion Copy Not for Sale". Much more rare than the general release. The album went from a $100 record to $180 record because I was thorough enough to check the label. Of course, I then paid $90 to the seller instead of $50.

So, in order to make an accurate and fair offer on your collection, I need to examine every record I'm going to pay you for in detail. (I don't bother opening the records that don't interest me.) I identify the pressing based on all sorts of factors: groove depth, label color and paper, font, logo style, company address, parent company name, scribbles and stamps in the deadwax or runout, cover (paper texture, printing method, and assembly type), country of origin, format (stereo, mono, fold-down), etc.

So, if you don't have the time for me to do that, I understand. There's more to life than getting the most for your records -- maybe you just want them gone. If that's the case, there are plenty of people in this business who'd be happy to make you an offer based on the covers. I'm just not one of them.


Short answer: No.

Long answer: Those guarantees and promises aren't worth the pixels they're written with. Think about it -- how would such a guarantee be backed up? Once you've sold the records, you'll not get an offer from another buyer so you have nothing to compare it with. Further, what if you passed on their offer and got a better offer from someone else -- what is the store with the guarantee going to do? Match the offer? Why would you drag the records back to them to get the higher amount the second store was offering from the git-go?

The only reason a store makes such a silly claim is to take advantage of neophytes. They know they'll never have to back it up.  Avoid buyers with guarantees. If they're not charlatans, at the very least they're not respecting your intelligence.

Another fact: in 13 years of buying records, my offer to purchase a collection has only been turned down once. Why only once out of, literally, thousands of buys? Because I'm so great at my job? No!

It's because selling a record collection can be an intimidating, frustrating, and back-breaking process: you've got to do your research, possibly book an appointment, pack up the records, lug them to the car, drive to the store, carry the records from car to store, wait while the buyer goes through them, often be belittled by a buyer trying to make it look like you've got nothing of value, listen to and weigh their offer...

Then what?

They said on the phone or on their web site that they're fair. Maybe you don't know anything about vinyl or the current used record market. So -- are they being fair or are they preying on your ignorance and exhaustion? After all that work, should you put the records back into the car, drive back home, and repeat the process with another buyer who will probably make a similar offer? Most people won't. They'll take what they're being offered. That goes for people selling to me as much as it does for people selling to anyone else. It's human nature. 

This is why it's so important to pick the right buyer first.

I'd love the opportunity to consider your records, but if you'd rather go with someone else,  here's a list of my competitors. If you choose me and your records aren't right for Volver, I'd be happy to make a personal recommendation for one of the other stores on the list to ensure you get treated as fairly as possible. I'll even check back with you to ensure your experience with my competition was worthy of my recommendation, just like I've done after hundreds of referrals over the years.

If you have other questions, or wish to talk to me about your records, call 416  556 6278, or send me an email.

Best of luck, and thanks for your consideration.